TY  - JOUR
AU  - Jović, Biljana
AU  - Čučaković, Aleksandar
AU  - Grbić, Mihailo
PY  - 2021
UR  - https://omorika.sfb.bg.ac.rs/handle/123456789/1237
AB  - Many cities nowadays explore different circular designs as new sustainable city concepts in different urban aspects. The new trend, as part of the adaptation for climate change, is a strategy of increasing the number of urban open spaces, and circular plan design could be a sustainable approach to urban development. This paper provides a historical overview of various examples of circular objects containing built structures and open spaces from the Neolithic to the present. The Built-Up Area (BUA) and Open Space (OS) relationships are shown histogramically for 36 objects arranged chronologically. The morphospace analysis was performed to determine any possible regularity in the relationships of parts of circular objects. For the purpose of this research, three variables were chosen. First, all selected historical examples of circular objects were divided into two main categories: objects with a total diameter smaller than 300 m and objects with a total diameter bigger than 300 m. Additionally, the selected circular objects were divided by their type of open space to better understand their spatial position. The largest number of analyzed objects belongs to the Parks-Gardens category, followed by settlements, and then earth works, sacral objects and circular buildings, with the smallest number of circular objects being in the category of allotments and plazas. The second variable was Jam area and % of Jam. The buildings are of different sizes up to several hundred m(2), and the areas range up to several hundred ha. The total area to OS ratio ranges from 0% (for Large Serdab) to 100% (for multiple objects). There is a similar situation with the diameter ratios (total and "jam"). Additionally, the final variable was the historical position of the selected circular objects. Circular objects belong to all historical periods from the Neolithic to the present. The aim of this research was to explore the relationship between OS and BUA in various circular objects with different diameters of open spaces and find out if there was any regularity in this relationship. The morphospace analysis of this research indicates that there is no clear regularity in the relationship between the built-up area and the open space, but the aspects and research results shown here contribute to sustainability since the circular design approach could play a key role in future circular design processes.
T2  - Sustainability
T1  - Circle in Space-Space in Circle: A Study of Ratio between Open Space and Built-Up Area in Historical Circular Objects
IS  - 9
VL  - 13
DO  - 10.3390/su13094662
UR  - conv_1548
ER  - 

@article{
author = "Jović, Biljana and Čučaković, Aleksandar and Grbić, Mihailo",
year = "2021",
abstract = "Many cities nowadays explore different circular designs as new sustainable city concepts in different urban aspects. The new trend, as part of the adaptation for climate change, is a strategy of increasing the number of urban open spaces, and circular plan design could be a sustainable approach to urban development. This paper provides a historical overview of various examples of circular objects containing built structures and open spaces from the Neolithic to the present. The Built-Up Area (BUA) and Open Space (OS) relationships are shown histogramically for 36 objects arranged chronologically. The morphospace analysis was performed to determine any possible regularity in the relationships of parts of circular objects. For the purpose of this research, three variables were chosen. First, all selected historical examples of circular objects were divided into two main categories: objects with a total diameter smaller than 300 m and objects with a total diameter bigger than 300 m. Additionally, the selected circular objects were divided by their type of open space to better understand their spatial position. The largest number of analyzed objects belongs to the Parks-Gardens category, followed by settlements, and then earth works, sacral objects and circular buildings, with the smallest number of circular objects being in the category of allotments and plazas. The second variable was Jam area and % of Jam. The buildings are of different sizes up to several hundred m(2), and the areas range up to several hundred ha. The total area to OS ratio ranges from 0% (for Large Serdab) to 100% (for multiple objects). There is a similar situation with the diameter ratios (total and "jam"). Additionally, the final variable was the historical position of the selected circular objects. Circular objects belong to all historical periods from the Neolithic to the present. The aim of this research was to explore the relationship between OS and BUA in various circular objects with different diameters of open spaces and find out if there was any regularity in this relationship. The morphospace analysis of this research indicates that there is no clear regularity in the relationship between the built-up area and the open space, but the aspects and research results shown here contribute to sustainability since the circular design approach could play a key role in future circular design processes.",
journal = "Sustainability",
title = "Circle in Space-Space in Circle: A Study of Ratio between Open Space and Built-Up Area in Historical Circular Objects",
number = "9",
volume = "13",
doi = "10.3390/su13094662",
url = "conv_1548"
}

Jović, B., Čučaković, A.,& Grbić, M.. (2021). Circle in Space-Space in Circle: A Study of Ratio between Open Space and Built-Up Area in Historical Circular Objects. in Sustainability, 13(9).
https://doi.org/10.3390/su13094662
conv_1548

Jović B, Čučaković A, Grbić M. Circle in Space-Space in Circle: A Study of Ratio between Open Space and Built-Up Area in Historical Circular Objects. in Sustainability. 2021;13(9).
doi:10.3390/su13094662
conv_1548 .

Jović, Biljana, Čučaković, Aleksandar, Grbić, Mihailo, "Circle in Space-Space in Circle: A Study of Ratio between Open Space and Built-Up Area in Historical Circular Objects" in Sustainability, 13, no. 9 (2021),
https://doi.org/10.3390/su13094662 .,
conv_1548 .

TY  - JOUR
AU  - Jović, Biljana
AU  - Mitić, Anđela D.
PY  - 2020
UR  - https://omorika.sfb.bg.ac.rs/handle/123456789/1122
AB  - This research provides an exploration of a biomimetic approach in the process of designing a candelabra model using linear shaped leaves of a Bell flower. The design process described in this research contains two steps: biological and geometrical. In the first biological step, a proper model for the creation of an urban element was found from nature in a Bell flower (Campanula persicifolia L.). The upper leaves of the selected plant, which are small with a linear spear and sharpening at the top, were chosen for the modeling process. The second step included applying two geometrical methods, i.e., Voronoi diagrams and Delaunay triangulation. A geometrical leaf form of the selected plant species and the modeling process were obtained using aparametric modeling software, Blender. Using different Blender plug-ins and modifiers, Delaunay triangulation and Voronoi diagram were implemented by marking the starting points on the leaf form in the image data source, adjusting the Delaunay triangulation parameters, and creating Voronoi diagrams in which the Voronoi points were located at the shortest distance from the edges of the Voronoi polygon. Consequently, a three dimensional model of a candelabra was developed through this study.
T2  - Visual Computing for Industry Biomedicine and Art
T1  - Exploration of nature-based biomimetic approach in landscape architectural design: parametric study of candelabra model design
IS  - 1
VL  - 3
DO  - 10.1186/s42492-020-00060-y
UR  - conv_1578
ER  - 

@article{
author = "Jović, Biljana and Mitić, Anđela D.",
year = "2020",
abstract = "This research provides an exploration of a biomimetic approach in the process of designing a candelabra model using linear shaped leaves of a Bell flower. The design process described in this research contains two steps: biological and geometrical. In the first biological step, a proper model for the creation of an urban element was found from nature in a Bell flower (Campanula persicifolia L.). The upper leaves of the selected plant, which are small with a linear spear and sharpening at the top, were chosen for the modeling process. The second step included applying two geometrical methods, i.e., Voronoi diagrams and Delaunay triangulation. A geometrical leaf form of the selected plant species and the modeling process were obtained using aparametric modeling software, Blender. Using different Blender plug-ins and modifiers, Delaunay triangulation and Voronoi diagram were implemented by marking the starting points on the leaf form in the image data source, adjusting the Delaunay triangulation parameters, and creating Voronoi diagrams in which the Voronoi points were located at the shortest distance from the edges of the Voronoi polygon. Consequently, a three dimensional model of a candelabra was developed through this study.",
journal = "Visual Computing for Industry Biomedicine and Art",
title = "Exploration of nature-based biomimetic approach in landscape architectural design: parametric study of candelabra model design",
number = "1",
volume = "3",
doi = "10.1186/s42492-020-00060-y",
url = "conv_1578"
}

Jović, B.,& Mitić, A. D.. (2020). Exploration of nature-based biomimetic approach in landscape architectural design: parametric study of candelabra model design. in Visual Computing for Industry Biomedicine and Art, 3(1).
https://doi.org/10.1186/s42492-020-00060-y
conv_1578

Jović B, Mitić AD. Exploration of nature-based biomimetic approach in landscape architectural design: parametric study of candelabra model design. in Visual Computing for Industry Biomedicine and Art. 2020;3(1).
doi:10.1186/s42492-020-00060-y
conv_1578 .

Jović, Biljana, Mitić, Anđela D., "Exploration of nature-based biomimetic approach in landscape architectural design: parametric study of candelabra model design" in Visual Computing for Industry Biomedicine and Art, 3, no. 1 (2020),
https://doi.org/10.1186/s42492-020-00060-y .,
conv_1578 .

TY  - JOUR
AU  - Čučaković, Aleksandar
AU  - Jović, Biljana
PY  - 2017
UR  - https://omorika.sfb.bg.ac.rs/handle/123456789/816
AB  - U ovom radu je predstavljen je interdisciplinarni pristup upotrebe tehnologija novih medija. Rezultati istraživanja su prikazani kroz metodologiju upotrebe alata multimedije kao i primenu iste u geometrijskoj edukaciji. Metodologija korišćena u ovom radu proizašla je preklapanjem i prožimanjem različitih disciplina, kao što su: arhitektura, prostorni sistemi, nacrtna geometrija i kompjuterska animacija. Multimedijalne geometrijske konstrukcije predstavljaju dinamički vizualni edukativni sadržaj namenjen studentima tehničkih i umetničkih fakulteta. Multimedijalni DVD nosi naziv: "Geometrijska edukacija primenom principa i alata 3D animacije". Geometrijska edukacija omogućava razvoj razumevanja prostora, prostorne percepcije kao i sposobnosti predstavljanja prostornih formi. Crtež nije cilj geometrijske edukacije. Cilj ovog rada je pojednostavljivanje percepcije geometrijskih konstrukcija što je upotrebom metodologije predstavljene u ovom radu sasvim moguće.
AB  - New media technologies and interdisciplinary approach is used and represented in this paper. The aspects and research results are shown through the production methodology, multimedia learning tool and the final application in geometrical education. The method we used here is obtained from overlapping of multiple disciplines such as architecture, structural systems, descriptive geometry and computer animation. Geometrical construction is presented on visual dynamic educational device for students of technical and applied arts faculties. Multimedia DVD is named: "Geometrical education by using 3D animation principles and tools". Geometrical education enables development of the understanding and perception of space as well as the ability of spatial representation. Drawing is not the goal of geometrical education. Our aim is to simplify the perception of geometrical construction, and by the method is proposed in this paper it is quite possible.
PB  - Univerzitet u Beogradu - Arhitektonski fakultet, Beograd i Centar za etiku, pravo i primenjenu filozofiju, Beograd
T2  - SAJ - Serbian Architectural Journal
T1  - Prednosti upotrebe 3D animacije u geometrijskoj edukaciji
T1  - The advantages of using digital 3D animation in geometrical education
EP  - 82
IS  - 1
SP  - 65
VL  - 9
DO  - 10.5937/SAJ1701065Q
UR  - conv_786
ER  - 

@article{
author = "Čučaković, Aleksandar and Jović, Biljana",
year = "2017",
abstract = "U ovom radu je predstavljen je interdisciplinarni pristup upotrebe tehnologija novih medija. Rezultati istraživanja su prikazani kroz metodologiju upotrebe alata multimedije kao i primenu iste u geometrijskoj edukaciji. Metodologija korišćena u ovom radu proizašla je preklapanjem i prožimanjem različitih disciplina, kao što su: arhitektura, prostorni sistemi, nacrtna geometrija i kompjuterska animacija. Multimedijalne geometrijske konstrukcije predstavljaju dinamički vizualni edukativni sadržaj namenjen studentima tehničkih i umetničkih fakulteta. Multimedijalni DVD nosi naziv: "Geometrijska edukacija primenom principa i alata 3D animacije". Geometrijska edukacija omogućava razvoj razumevanja prostora, prostorne percepcije kao i sposobnosti predstavljanja prostornih formi. Crtež nije cilj geometrijske edukacije. Cilj ovog rada je pojednostavljivanje percepcije geometrijskih konstrukcija što je upotrebom metodologije predstavljene u ovom radu sasvim moguće., New media technologies and interdisciplinary approach is used and represented in this paper. The aspects and research results are shown through the production methodology, multimedia learning tool and the final application in geometrical education. The method we used here is obtained from overlapping of multiple disciplines such as architecture, structural systems, descriptive geometry and computer animation. Geometrical construction is presented on visual dynamic educational device for students of technical and applied arts faculties. Multimedia DVD is named: "Geometrical education by using 3D animation principles and tools". Geometrical education enables development of the understanding and perception of space as well as the ability of spatial representation. Drawing is not the goal of geometrical education. Our aim is to simplify the perception of geometrical construction, and by the method is proposed in this paper it is quite possible.",
publisher = "Univerzitet u Beogradu - Arhitektonski fakultet, Beograd i Centar za etiku, pravo i primenjenu filozofiju, Beograd",
journal = "SAJ - Serbian Architectural Journal",
title = "Prednosti upotrebe 3D animacije u geometrijskoj edukaciji, The advantages of using digital 3D animation in geometrical education",
pages = "82-65",
number = "1",
volume = "9",
doi = "10.5937/SAJ1701065Q",
url = "conv_786"
}

Čučaković, A.,& Jović, B.. (2017). Prednosti upotrebe 3D animacije u geometrijskoj edukaciji. in SAJ - Serbian Architectural Journal
Univerzitet u Beogradu - Arhitektonski fakultet, Beograd i Centar za etiku, pravo i primenjenu filozofiju, Beograd., 9(1), 65-82.
https://doi.org/10.5937/SAJ1701065Q
conv_786

Čučaković A, Jović B. Prednosti upotrebe 3D animacije u geometrijskoj edukaciji. in SAJ - Serbian Architectural Journal. 2017;9(1):65-82.
doi:10.5937/SAJ1701065Q
conv_786 .

Čučaković, Aleksandar, Jović, Biljana, "Prednosti upotrebe 3D animacije u geometrijskoj edukaciji" in SAJ - Serbian Architectural Journal, 9, no. 1 (2017):65-82,
https://doi.org/10.5937/SAJ1701065Q .,
conv_786 .

TY  - JOUR
AU  - Čučaković, Aleksandar
AU  - Jović, Biljana
AU  - Tripković, Miloš
PY  - 2017
UR  - https://omorika.sfb.bg.ac.rs/handle/123456789/804
AB  - Ovaj rad se bavi mogućnošću prevazilaženja problema razvijanja u ravan dvostruko zakrivljenih površi u procesu dizajniranja proizvoda. U procesu dizajniranja proizvoda koriste se dve vrste površi, razvojne površi i nerazvojne površi, koje se, takođe, nazivaju jednostruko i dvostruko zakrivljenim površima. Gausova krivina razvojnih površi u svakoj tački jednaka je nuli, dok je kod nerazvojnih površi Gausova krivina ratzličita od nule pa u nekim delovima površi Gausova krivina može da bude pozitivna ili negativna. Površine mnogih dizajn-proizvoda su često osmišljene kao dvostruko zakrivljene površi kako bi zadovoljile strukturne i estetske zahteve. Problem razvijanja u ravan dvostruko zakrivljene trodimenzionalne površi u dizajnu proizvoda zavisi od oblika površine i materijala proizvoda. Stoga, metod pronalaženja načina za razvijanje dvostruko zakrivljene površi u ravan se razlikuje, kada se spoljašnja sila koristi u stvaranju površinskog obrasca kao što je prisutno kod površi (materijala) koje je moguće deformisati, od slučaja razvijanja površi kreiranih od papirnih traka. Posmatrajući površinu trodimenzionalnog objekta, prvi korak u procesu proizvodnje je razvijanje dizajniranog proizvoda u ravan kako bi proizvođač mogao da odredi ne samo inicijalni oblik objekta, već i da raspodeli naprezanje potrebno za formiranje oblika zavisno od materijala. U radu se analizira i racionalizuje dvostruko zakrivljena površ datog oblika korišćenjem papirnih traka zalepljenih na površinu dizajn-proizvoda. Rezultati istražuju mogućnosti postizanja približno glatke površine i razvoja modela za generisanje neprekidne krive površi sastavljene od papirnih traka, kao i kreiranja alternativnih rešenja upotrebljivih u domenu savremenog dizajna proizvoda. Rad ilustruje mogućnost korišćenja različitih varijacija predloženog dizajna.
AB  - In this paper, we address the challenge of overcoming the problem of developing doubly curved surfaces in product design. Product design uses two kinds of surfaces, developable surfaces and non-developable surfaces, which are also called singly and doubly curved surfaces, respectively. A developable surface has zero Gaussian curvature at all points, while a non-developable surface has non-zero Gaussian curvature at least in some region. Surfaces of many product design object are commonly created as doubly curved shapes to meet requirements of structure and aesthetic. The problem of creating the planar development of 3D surfaces with double curvature in the product design depends on the shape of the surface and the material of the surface cover. Therefore, the method of deriving a pattern is different when external forces are used in order to generate the plane patterns such as paper strips from the case when the plane shape can stretch or deform to fit on the 3D surface. Given a three-dimensional object surface, the first step of the fabrication process is flattening or planar development of this surface into a planar shape so that the manufacturer can not only determine the initial shape of the object but also estimate the strain distribution required to form the shape depending on a material. The paper is analysing and rationalizing doubly curved surface of a given shape by multiple strips of paper glued onto a surface. Results are addressing possibilities of achieving an overall smooth surface and developing a model for the generation of curvature continuous surfaces composed of paper strip surfaces, as well as generating alternative solutions that are in the domain of contemporary product design. The paper illustrates usability and different variations of the proposed design.
PB  - Univerzitet u Beogradu - Mašinski fakultet, Beograd
T2  - FME Transactions
T1  - Dizajniranje papirnim trakama - primena na dvostruko zakrivljenim površima
T1  - Paper strips driven design: Application on doubly curved surfaces
EP  - 255
IS  - 2
SP  - 251
VL  - 45
DO  - 10.5937/fmet1702251C
UR  - conv_722
ER  - 

@article{
author = "Čučaković, Aleksandar and Jović, Biljana and Tripković, Miloš",
year = "2017",
abstract = "Ovaj rad se bavi mogućnošću prevazilaženja problema razvijanja u ravan dvostruko zakrivljenih površi u procesu dizajniranja proizvoda. U procesu dizajniranja proizvoda koriste se dve vrste površi, razvojne površi i nerazvojne površi, koje se, takođe, nazivaju jednostruko i dvostruko zakrivljenim površima. Gausova krivina razvojnih površi u svakoj tački jednaka je nuli, dok je kod nerazvojnih površi Gausova krivina ratzličita od nule pa u nekim delovima površi Gausova krivina može da bude pozitivna ili negativna. Površine mnogih dizajn-proizvoda su često osmišljene kao dvostruko zakrivljene površi kako bi zadovoljile strukturne i estetske zahteve. Problem razvijanja u ravan dvostruko zakrivljene trodimenzionalne površi u dizajnu proizvoda zavisi od oblika površine i materijala proizvoda. Stoga, metod pronalaženja načina za razvijanje dvostruko zakrivljene površi u ravan se razlikuje, kada se spoljašnja sila koristi u stvaranju površinskog obrasca kao što je prisutno kod površi (materijala) koje je moguće deformisati, od slučaja razvijanja površi kreiranih od papirnih traka. Posmatrajući površinu trodimenzionalnog objekta, prvi korak u procesu proizvodnje je razvijanje dizajniranog proizvoda u ravan kako bi proizvođač mogao da odredi ne samo inicijalni oblik objekta, već i da raspodeli naprezanje potrebno za formiranje oblika zavisno od materijala. U radu se analizira i racionalizuje dvostruko zakrivljena površ datog oblika korišćenjem papirnih traka zalepljenih na površinu dizajn-proizvoda. Rezultati istražuju mogućnosti postizanja približno glatke površine i razvoja modela za generisanje neprekidne krive površi sastavljene od papirnih traka, kao i kreiranja alternativnih rešenja upotrebljivih u domenu savremenog dizajna proizvoda. Rad ilustruje mogućnost korišćenja različitih varijacija predloženog dizajna., In this paper, we address the challenge of overcoming the problem of developing doubly curved surfaces in product design. Product design uses two kinds of surfaces, developable surfaces and non-developable surfaces, which are also called singly and doubly curved surfaces, respectively. A developable surface has zero Gaussian curvature at all points, while a non-developable surface has non-zero Gaussian curvature at least in some region. Surfaces of many product design object are commonly created as doubly curved shapes to meet requirements of structure and aesthetic. The problem of creating the planar development of 3D surfaces with double curvature in the product design depends on the shape of the surface and the material of the surface cover. Therefore, the method of deriving a pattern is different when external forces are used in order to generate the plane patterns such as paper strips from the case when the plane shape can stretch or deform to fit on the 3D surface. Given a three-dimensional object surface, the first step of the fabrication process is flattening or planar development of this surface into a planar shape so that the manufacturer can not only determine the initial shape of the object but also estimate the strain distribution required to form the shape depending on a material. The paper is analysing and rationalizing doubly curved surface of a given shape by multiple strips of paper glued onto a surface. Results are addressing possibilities of achieving an overall smooth surface and developing a model for the generation of curvature continuous surfaces composed of paper strip surfaces, as well as generating alternative solutions that are in the domain of contemporary product design. The paper illustrates usability and different variations of the proposed design.",
publisher = "Univerzitet u Beogradu - Mašinski fakultet, Beograd",
journal = "FME Transactions",
title = "Dizajniranje papirnim trakama - primena na dvostruko zakrivljenim površima, Paper strips driven design: Application on doubly curved surfaces",
pages = "255-251",
number = "2",
volume = "45",
doi = "10.5937/fmet1702251C",
url = "conv_722"
}

Čučaković, A., Jović, B.,& Tripković, M.. (2017). Dizajniranje papirnim trakama - primena na dvostruko zakrivljenim površima. in FME Transactions
Univerzitet u Beogradu - Mašinski fakultet, Beograd., 45(2), 251-255.
https://doi.org/10.5937/fmet1702251C
conv_722

Čučaković A, Jović B, Tripković M. Dizajniranje papirnim trakama - primena na dvostruko zakrivljenim površima. in FME Transactions. 2017;45(2):251-255.
doi:10.5937/fmet1702251C
conv_722 .

Čučaković, Aleksandar, Jović, Biljana, Tripković, Miloš, "Dizajniranje papirnim trakama - primena na dvostruko zakrivljenim površima" in FME Transactions, 45, no. 2 (2017):251-255,
https://doi.org/10.5937/fmet1702251C .,
conv_722 .

TY  - JOUR
AU  - Grbić, Mihailo
AU  - Čučaković, Aleksandar
AU  - Jović, Biljana
AU  - Tripković, Miloš
PY  - 2016
UR  - https://omorika.sfb.bg.ac.rs/handle/123456789/737
AB  - This paper analyzes the phenomenon of spatial functionalities for garden cultural heritage design and the relationships between the sizes of the sections and elements of the baroque garden of Vaux-leVicomte and the specific visual phenomenon, anamorphosis abscondita, that was used in the design of this garden. The interpretation of the optical illusions in the garden of Vaux-le-Vicomte was achieved by using geometrical analysis of the rules of linear perspective. The anamorphosis abscondita was examined through the viewpoints of the garden using the ground plan and longitudinal section of the garden, photographs and a virtual 3D model. The visual impression of the phenomenon anamorphosis abscondita formed in the eye of the observer, in relation to the reality of the garden, is confirmed through the geometrical analysis. Anamorphosis abscondita introduces a compulsory perceptual path to the observer of the garden. This pattern of deformation in certain parts of the garden creates in the viewer's eye a sense of infinity in space. The 3D scene of the garden is characterised by a large amount of spatial and visual information, which is located at different distances from the observer. The quality of visual information in such a space leads to a change of the object of interest. Perspectives and optical illusions influence the design of the garden at Vaux-le-Vicomte, and the terraces and axes of symmetry are important tools in its spatial organization. The axis of symmetry contributes to the clarity, depth and order of composition. The parameters that influence the phenomenon of anamorphosis (distortion): the height of the eye point and the distance both affect the visual illusion of the change in size (depth of scene).
T2  - Journal of Cultural Heritage
T1  - Garden cultural heritage spatial functionalities: The case of anamorphosis abscondita at Vaux-le-Vicomte
EP  - 369
SP  - 366
VL  - 18
DO  - 10.1016/j.culher.2015.08.007
UR  - conv_1204
ER  - 

@article{
author = "Grbić, Mihailo and Čučaković, Aleksandar and Jović, Biljana and Tripković, Miloš",
year = "2016",
abstract = "This paper analyzes the phenomenon of spatial functionalities for garden cultural heritage design and the relationships between the sizes of the sections and elements of the baroque garden of Vaux-leVicomte and the specific visual phenomenon, anamorphosis abscondita, that was used in the design of this garden. The interpretation of the optical illusions in the garden of Vaux-le-Vicomte was achieved by using geometrical analysis of the rules of linear perspective. The anamorphosis abscondita was examined through the viewpoints of the garden using the ground plan and longitudinal section of the garden, photographs and a virtual 3D model. The visual impression of the phenomenon anamorphosis abscondita formed in the eye of the observer, in relation to the reality of the garden, is confirmed through the geometrical analysis. Anamorphosis abscondita introduces a compulsory perceptual path to the observer of the garden. This pattern of deformation in certain parts of the garden creates in the viewer's eye a sense of infinity in space. The 3D scene of the garden is characterised by a large amount of spatial and visual information, which is located at different distances from the observer. The quality of visual information in such a space leads to a change of the object of interest. Perspectives and optical illusions influence the design of the garden at Vaux-le-Vicomte, and the terraces and axes of symmetry are important tools in its spatial organization. The axis of symmetry contributes to the clarity, depth and order of composition. The parameters that influence the phenomenon of anamorphosis (distortion): the height of the eye point and the distance both affect the visual illusion of the change in size (depth of scene).",
journal = "Journal of Cultural Heritage",
title = "Garden cultural heritage spatial functionalities: The case of anamorphosis abscondita at Vaux-le-Vicomte",
pages = "369-366",
volume = "18",
doi = "10.1016/j.culher.2015.08.007",
url = "conv_1204"
}

Grbić, M., Čučaković, A., Jović, B.,& Tripković, M.. (2016). Garden cultural heritage spatial functionalities: The case of anamorphosis abscondita at Vaux-le-Vicomte. in Journal of Cultural Heritage, 18, 366-369.
https://doi.org/10.1016/j.culher.2015.08.007
conv_1204

Grbić M, Čučaković A, Jović B, Tripković M. Garden cultural heritage spatial functionalities: The case of anamorphosis abscondita at Vaux-le-Vicomte. in Journal of Cultural Heritage. 2016;18:366-369.
doi:10.1016/j.culher.2015.08.007
conv_1204 .

Grbić, Mihailo, Čučaković, Aleksandar, Jović, Biljana, Tripković, Miloš, "Garden cultural heritage spatial functionalities: The case of anamorphosis abscondita at Vaux-le-Vicomte" in Journal of Cultural Heritage, 18 (2016):366-369,
https://doi.org/10.1016/j.culher.2015.08.007 .,
conv_1204 .

TY  - JOUR
AU  - Čučaković, Aleksandar
AU  - Jović, Biljana
PY  - 2011
UR  - https://omorika.sfb.bg.ac.rs/handle/123456789/354
AB  - Razvoj savremenih tehnologija (CAD/CAM/CAE, VR, AR, MR) je učinio tradicionalne metode nacrtne geometrije i geometrije konstrukcija nezavršenim. Primena i upotreba novih tehnologija u geometriji konstrukcija zahteva obrazovni proces sa ciljem da se ima kompletno znanje svih polja koje pripadaju ovoj oblasti. Aspekt i rezultati istraživanja pokazuju da znanje stečeno na ovaj način korišćenjem nove tehnologije razvija veštine studenata što je veoma važno u višim godinama studija, posebno u oblasti tehničkog dizajna. Interaktivna dinamična 3D geometrija ne bi mogla da se postigne tradicionalnim načinima studiranja. Upotreba moderne tehnologije bi trebalo da omogući proširenje polja istraživanja kao i očuvanje teoretskog znanja nacrtne geometrije.
AB  - Contemporary technological development (CAD/CAM/CAE, VR, AR, MR) made conventional methods of Descriptive and Constructive Geometry uncompleted. Application and use of new technologies in Constructive geometry requires educational process with the aim to have complete knowledge of all fields that belong to this area. The aspect and results research shows that knowledge acquired in this way by using new technology, develops students' skills that are very important in senior years of studies, particularly in the field of engineering design. Interactive dynamic 3D geometry could not be achieved by conventional ways of studying. The use of modern technology should enable expanding the fields of research as well as preservation of the theoretical knowledge of descriptive geometry.
PB  - Univerzitet u Beogradu - Arhitektonski fakultet, Beograd i Centar za etiku, pravo i primenjenu filozofiju, Beograd
T2  - SAJ - Serbian Architectural Journal
T1  - Geometrije konstrukcija putem savremenih tehnologija
T1  - Constructive geometry education by contemporary technologies
EP  - 183
IS  - 2
SP  - 164
VL  - 3
DO  - 10.5937/SAJ1102164C
UR  - conv_785
ER  - 

@article{
author = "Čučaković, Aleksandar and Jović, Biljana",
year = "2011",
abstract = "Razvoj savremenih tehnologija (CAD/CAM/CAE, VR, AR, MR) je učinio tradicionalne metode nacrtne geometrije i geometrije konstrukcija nezavršenim. Primena i upotreba novih tehnologija u geometriji konstrukcija zahteva obrazovni proces sa ciljem da se ima kompletno znanje svih polja koje pripadaju ovoj oblasti. Aspekt i rezultati istraživanja pokazuju da znanje stečeno na ovaj način korišćenjem nove tehnologije razvija veštine studenata što je veoma važno u višim godinama studija, posebno u oblasti tehničkog dizajna. Interaktivna dinamična 3D geometrija ne bi mogla da se postigne tradicionalnim načinima studiranja. Upotreba moderne tehnologije bi trebalo da omogući proširenje polja istraživanja kao i očuvanje teoretskog znanja nacrtne geometrije., Contemporary technological development (CAD/CAM/CAE, VR, AR, MR) made conventional methods of Descriptive and Constructive Geometry uncompleted. Application and use of new technologies in Constructive geometry requires educational process with the aim to have complete knowledge of all fields that belong to this area. The aspect and results research shows that knowledge acquired in this way by using new technology, develops students' skills that are very important in senior years of studies, particularly in the field of engineering design. Interactive dynamic 3D geometry could not be achieved by conventional ways of studying. The use of modern technology should enable expanding the fields of research as well as preservation of the theoretical knowledge of descriptive geometry.",
publisher = "Univerzitet u Beogradu - Arhitektonski fakultet, Beograd i Centar za etiku, pravo i primenjenu filozofiju, Beograd",
journal = "SAJ - Serbian Architectural Journal",
title = "Geometrije konstrukcija putem savremenih tehnologija, Constructive geometry education by contemporary technologies",
pages = "183-164",
number = "2",
volume = "3",
doi = "10.5937/SAJ1102164C",
url = "conv_785"
}

Čučaković, A.,& Jović, B.. (2011). Geometrije konstrukcija putem savremenih tehnologija. in SAJ - Serbian Architectural Journal
Univerzitet u Beogradu - Arhitektonski fakultet, Beograd i Centar za etiku, pravo i primenjenu filozofiju, Beograd., 3(2), 164-183.
https://doi.org/10.5937/SAJ1102164C
conv_785

Čučaković A, Jović B. Geometrije konstrukcija putem savremenih tehnologija. in SAJ - Serbian Architectural Journal. 2011;3(2):164-183.
doi:10.5937/SAJ1102164C
conv_785 .

Čučaković, Aleksandar, Jović, Biljana, "Geometrije konstrukcija putem savremenih tehnologija" in SAJ - Serbian Architectural Journal, 3, no. 2 (2011):164-183,
https://doi.org/10.5937/SAJ1102164C .,
conv_785 .